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  <url>
    <loc>http://www.jeanineoleson.com/press-pdfs</loc>
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    <lastmod>2017-12-06</lastmod>
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      <image:title>Press Index Gallery</image:title>
      <image:caption>Creative Independent July 2017 Jeanine Oleson is an artist whose practice incorporates interdisciplinary uses of photography, performance, film/video, and installation work. More...</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1505079370436-YXFXSFT64N0KFA1W90SC/creative-independent-2017.jpg</image:loc>
      <image:title>Press Index Gallery</image:title>
      <image:caption>Creative Independent July 2017 Jeanine Oleson is an artist whose practice incorporates interdisciplinary uses of photography, performance, film/video, and installation work. More...</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1505081579788-L2DOE6VNNVMYDGIVX9TJ/hammer-video.jpg</image:loc>
      <image:title>Press Index Gallery</image:title>
      <image:caption>Hammer Museum (video) May 2017 More...</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1505077874544-7J0NLRQWXJQP4NDADUMY/creative-capital-2017.jpg</image:loc>
      <image:title>Press Index Gallery</image:title>
      <image:caption>Creative Capital May 2017 Capitalism doesn’t like humor. Jeanine Oleson intertwines craft, performance, video all with absurdist twists intended to highlight global capital’s alienating effects on our consciousness through materiality and labor. Her Creative Capital project, A human(e) matter, is now on display through August 6 at the Hammer Museum in LA as the exhibition Conduct Matters. More...</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1505074943587-N6BCFLP4IVB4S8Q30IMI/hammer-prs.jpg</image:loc>
      <image:title>Press Index Gallery</image:title>
      <image:caption>Hammer Museum November 2016 New York-based artist Jeanine Oleson has worked through multidisciplinary processes this fall at the Hammer as part of In Real Life, and as artist-in-residence for the 2016/2017 year, will debut new work in May with a Hammer Projects exhibition. More...</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1512594244702-4HUEU2EM3EOF1UUFU236/creative-capital-2016.jpg</image:loc>
      <image:title>Press Index Gallery</image:title>
      <image:caption>Creative Capital August 2016 A human(e) matter is an umbrella concept comprised of performances, objects and videos concerned with global capital’s alienating effects on our consciousness through materiality and labor. With humor, pathos and an interest in craft and industrial production, this project forms parafictions that are absurd and dead serious. Jeanine Oleson is working with an ensemble in live performances and videos that enact compositions based on the idea of conduction that is material, musical, and social and referencing experimental music, physical labor and speech acts. A recent 3D video and related objects also focused on material transformation of copper and clay, troubling how images and sound are made and transmitted. An upcoming iteration includes a new video, performance, musical instruments, glass, weavings and images about absurdist production cycles and abstracted materiality. The video, shot in caves and mines in New Mexico, will follow a production cycle of copper into a wire factory and into a power grid.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1505079859806-VFCUV6O94NN53DHIS856/art-papers-july-aug-16.jpg</image:loc>
      <image:title>Press Index Gallery</image:title>
      <image:caption>Art Papers July/August 2016 Described in the press release as a look at "numerous experiences of the American South," the exhibition is refreshingly not a "who's who" survey of contemporary Southern artists, but instead a cross-section of some of the most exciting young artists working today, along with voices from the past, all affectionately approached through a regional lens. More...</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1505073116576-F8T5LMM2PL88P2N0PDHU/village-voice.jpg</image:loc>
      <image:title>Press Index Gallery</image:title>
      <image:caption>Village Voice February 2016 Jeanine Oleson’s marvelous 3-D video Figures of Speech (2016) handily captures performances of the analog magic of metallurgy, sound, and speech. More...</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1512592694368-ZWSFZOQVCK6ATBQ7KNDJ/creative-capital-vimeo.jpg</image:loc>
      <image:title>Press Index Gallery - Jeanine Oleson Presents “A human(e) orchestra” at the 2015 Creative Capital Retreat</image:title>
      <image:caption>Creative Capital August 2015 A human(e) orchestra is an umbrella over a series of performances, workshops and a film with an ensemble brought together to enact various compositions that range from conventional music to physical labor to speech acts. Read more: creative-capital.org/projects/view/833</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1464733326487-K7PW23QUD54IN550279M/artfcity_june2014_thumb.jpg</image:loc>
      <image:title>Press Index Gallery</image:title>
      <image:caption>Art F City June 2014 "As part of her New Museum residency “Hear, Here”, Jeanine Oleson has invited a room full of opera lovers to participate in performances of opera hits like they would at a Rocky Horror Picture Show screening, by dressing up, singing along, and throwing flowers." More...</image:caption>
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      <image:title>Press Index Gallery</image:title>
      <image:caption>Huffington Post August 2014 "Oleson is the interdisciplinary artist behind the New Museum exhibition "Hear, Here," which explored what it really means to listen in the contemporary world. Part of this exhibition included the experimental opera "The Rocky Horror Opera Show."" More...</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1464739910747-D3EJNY99DE37RRQJJQXR/artforum_april2014_thumb.jpg</image:loc>
      <image:title>Press Index Gallery</image:title>
      <image:caption>Art Forum April 2014 "I've been thinking about the importance of the audience, and more specifically about what constitutes an engaged audience member. Fran Lebowitz once made a comment about the loss of artists, cultural producers, and audiences during the AIDS crisis" More...</image:caption>
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      <image:title>Press Index Gallery</image:title>
      <image:caption>Blouin Art Info June 2014 "Interdisciplinary artist Jeanine Oleson continues to challenge socio-political norms with her performance and installation works. This time, she dives into the farcical with a witty operatic exhibition “Hear, Here” during her five-month residency at the New Museum "More...  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1464729927474-2XEVXFLZ45CFNRKE6GQK/interview_june2014_thumb.jpg</image:loc>
      <image:title>Press Index Gallery</image:title>
      <image:caption>Interview Magazine June 2014 "Jeanine Oleson is an artist whose interdisciplinary practice incorporates multiple media, including film/video, installation, performance, photography, and text. Frequently employing wordplay, neologism, and visual orthographics in both title and content" More...</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1464730223179-M36U9F4R9NCZIHTZKODY/bomb_may2014_thumb.jpg</image:loc>
      <image:title>Press Index Gallery</image:title>
      <image:caption>BOMB Magazine May 2014 "For her first institutional solo exhibition, artist Jeanine Oleson, who is currently in residence as part of the New Museum's R&amp;D Season, inhabits the roles of artist, curator, moderator, and performer, among numerous others that are equally ambitious" More...</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1464733251274-NRO9DTMLIHCD7ADXMWNI/artnews_april2014_thumb.jpg</image:loc>
      <image:title>Press Index Gallery</image:title>
      <image:caption>ArtNews April 2014 "From primordial incantations to operatic melodrama to hip-hop beats, artists are exploiting the elemental language of music to communicate across cultural boundaries..." More...</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1464732030455-FFPAINKKSO43GWGS9L5V/artfcity_june2014_thumb.jpg</image:loc>
      <image:title>Press Index Gallery</image:title>
      <image:caption>Art F City June 2014</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1464739036589-5V8VZMWCT5YS77I4JX11/smackmellon_november2010_thumb.jpg</image:loc>
      <image:title>Press Index Gallery</image:title>
      <image:caption>Smack Mellon (video) November 2010</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1464738460452-WOEZBE1B2INQVHO3G0EV/artinamerica_december2009_thumb.jpg</image:loc>
      <image:title>Press Index Gallery</image:title>
      <image:caption>Art in America December 2009 "What do burning sage, cross-dressing and pulling an island southward with ropes have in common? They are all examples of what artist/curator Emily Roysdon has termed "Ecstatic Resistance" in her title for this exhibition, which brought together..." More...</image:caption>
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      <image:title>Press Index Gallery</image:title>
      <image:caption>The Front Row with Bob Stevenson KUHF Houston Public Radio (audio download)  April 2009 TFR Producer Bob Stevenson chats with curator Janet Phelps, and Jeanine Olsen More...</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1464737946888-4RGP1R5DX8HRG0TC5YVX/nytimes_december2009_thumb.jpg</image:loc>
      <image:title>Press Index Gallery</image:title>
      <image:caption>New York Times December 2009 "...in a video made earlier this year, Jeanine Oleson, assisted by a troupe of zany helpers, is seen burning an enormous sage stick on the steps of the Federal Building in Lower Manhattan to fumigate Wall Street of bad vibrations." More...  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1464737318595-C5IOCB437WLH60YT33NW/nocommercialvalue_july2009.jpg</image:loc>
      <image:title>Press Index Gallery</image:title>
      <image:caption>No Commercial Value July 2009 "The Greater New York Smudge Cleanse is a traveling public art project by Jeanine Oleson. The world's largest sage smudge stick ritualistically cleansed negativity from New York City at four different sites in October and November 2008." More...</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1464735307122-1HUR4OTK0224RR37P01X/houstonchronicle_april2009_thumb.jpg</image:loc>
      <image:title>Press Index Gallery</image:title>
      <image:caption>Houston Chronicle April 2009 "Enkidu's Return is a 9-by-5.5-foot costume Jeanine Oleson made from recycled furs the artist bought on eBay. A reference to the "wild man" character in the ancient Mesopotamian Epic of Gilgamesh, it's offered as a "way to re-cover oneself with a primordial skin"" More...</image:caption>
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      <image:title>Press Index Gallery</image:title>
      <image:caption>Art Papers January/February 2007</image:caption>
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      <image:title>Press Index Gallery</image:title>
      <image:caption>The Journal of LLGAF Summer 2007 "Jeanine Oleson Just Might Believe in Bigfoot and Mythos of the Lesbian Peoples..." More...</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1464729749148-GOV9PP3K0BTQV85VI8S3/temaceleste_jan2006_thumb.jpg</image:loc>
      <image:title>Press Index Gallery</image:title>
      <image:caption>Tema Celeste January 2006 "In a playful melange of New Age spiritualism, radical feminism, earthworks and ethnography, collaborative artists Ellen Lesperance &amp; Jeanine Oleson initiated their "Off the Grid" project of performance-based, large chromogenic prints in 2001." More...  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1464730773741-KN6Q3I23TD3B5GZ3MNSI/artus_dec2005_thumb.jpg</image:loc>
      <image:title>Press Index Gallery</image:title>
      <image:caption>ArtUS December 2005-February 2006 "Legend has it that there is a video store in Portland, Oregon with a whole shelf dedicated to Bigfoot porn. Now what this porn might entail is a matter much of speculation: Do these videos depict Bigfoot doing it with men or women? Or is it Bigfoot-on-Bigfoot? Bigfoot orgies?..." More...  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1464732870187-RYT9Y15K82S0BDM48V2W/portlandphoenix_november2005_thumb.jpg</image:loc>
      <image:title>Press Index Gallery</image:title>
      <image:caption>The Portland Phoenix November 2005 "In his book The Damned, the great researcher of anomalous phenomena Charles Fort writes of the curious and sometimes acrobatic ends to which early modern science was prepared to go in order to explain the existence of meteorites." More...</image:caption>
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      <image:title>Press Index Gallery</image:title>
      <image:caption>Art F City June 2014</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1464733186920-C0Z7DZJ1SFPGG5M44L8L/nytimes_july2005_thumb.jpg</image:loc>
      <image:title>Press Index Gallery</image:title>
      <image:caption>New York Times July 2005 "For a less intense and way less manipulative are viewing, however, let me recommend a visit to "Something Is Somewhere," at Monya Rowe, a show that makes an unambiguous feminist statement simply by being made up of 20 female artists." More...</image:caption>
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      <image:title>Press Index Gallery</image:title>
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  </url>
  <url>
    <loc>http://www.jeanineoleson.com/books-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-04-05</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1586096479428-CYVDMW01CA0JXVLVE9PH/20200404_163750.jpg</image:loc>
      <image:title>Books Index Gallery - Conduct Matters</image:title>
      <image:caption>Paperback, 84 pgs/55 color, 6 x 9 in. ISBN: 9781733688901 Published by Dancing Foxes Press, Brooklyn Distributed by D.A.P. Exclusive $22 Order This Book</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1586096479428-CYVDMW01CA0JXVLVE9PH/20200404_163750.jpg</image:loc>
      <image:title>Books Index Gallery - Conduct Matters</image:title>
      <image:caption>Paperback, 84 pgs/55 color, 6 x 9 in. ISBN: 9781733688901 Published by Dancing Foxes Press, Brooklyn Distributed by D.A.P. Exclusive $22 Order This Book</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1464067338554-PD6XI9L58S9SSDE8ICJX/smudgecoveredit.jpg</image:loc>
      <image:title>Books Index Gallery - The Greater New York Smudge Cleanse</image:title>
      <image:caption>Jeanine Oleson, The Greater New York Smudge Cleanse Softcover, 78 pp., offset, 6 x 9 in. ISBN: 978-0-9851271-3-8 Published by Circle &amp; Square, NY PDF Version</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1510861490813-QH13AMULJIWWCP87SEX6/final-2.jpg</image:loc>
      <image:title>Books Index Gallery - The Greater New York Smudge Cleanse</image:title>
      <image:caption>Softcover, 78 pp., offset, 6 x 9 in. ISBN: 978-0-9851271-3-8 Published by Circle &amp; Square, NY $20 Order This Book PDF Version</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1510861497806-CNKZHZTA8F1B17UJL8ER/final-4.jpg</image:loc>
      <image:title>Books Index Gallery - La Gran Limpia</image:title>
      <image:caption>Softcover, 64 pp., offset, 4 x 7 in. Published by Beta-Local, Puerto Rico $20 Order This Book PDF Version</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1510861496845-OUR3JRYHMOGH9IGS1K04/final-3.jpg</image:loc>
      <image:title>Books Index Gallery - WHAT?</image:title>
      <image:caption>Softcover, 117 pp., offset, 6 x 9 in. ISBN: 978-0-9851271-2-1 Published by Jeanine Oleson $20 Order This Book PDF Version</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1510861492976-06WS20Z5YR8OUS5ZQF6Y/final-1.jpg</image:loc>
      <image:title>Books Index Gallery - The shore is still in the sea</image:title>
      <image:caption>Softbound, 44 pp., offset, 8.75 x 10.5 in. Artist book/catalog "The shore is still in the sea" exhibition at Commonwealth &amp; Council Los Angeles, January, 2012 Published by Commonwealth &amp; Council $20 Order This Book PDF Version</image:caption>
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  </url>
  <url>
    <loc>http://www.jeanineoleson.com/collaborations-gallery</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-08-09</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1465180101763-2SU6HU981W4776GLHLXX/collabgallery_ridykeulous_zine.jpg</image:loc>
      <image:title>Other Collaborations Index Gallery - Ridykeulous 'zine</image:title>
      <image:caption>An over the top and confrontational collection of artwork for the page, this 'zine offers a raunchy romp through contributions lambasting stereotypical tropes of feminist and lesbian art.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1465180101763-2SU6HU981W4776GLHLXX/collabgallery_ridykeulous_zine.jpg</image:loc>
      <image:title>Other Collaborations Index Gallery - Ridykeulous 'zine</image:title>
      <image:caption>An over the top and confrontational collection of artwork for the page, this 'zine offers a raunchy romp through contributions lambasting stereotypical tropes of feminist and lesbian art.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1469312747229-F12EWJC65B9DUQG80TO8/bomblog_screengrab.jpg</image:loc>
      <image:title>Other Collaborations Index Gallery - BOMBBlog with Rosanna Bruno</image:title>
      <image:caption>Summer 2011 issue of ONandOnScreen, an e-journal project matching poems and videos. This week features poetry by Rosanna Bruno and Jeanine Oleson and a video of Cagney &amp; Lacey.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1465180106744-1HBXHEJZX46NSMQ202HK/collabgallery_the_kitchen.jpg</image:loc>
      <image:title>Other Collaborations Index Gallery - The Kitchen</image:title>
      <image:caption>A performance with Becca Albee and Tami Hart in Emily Roysdon's project (A Gay Bar Called Everywhere (With Costumes and No Practice)) at The Kitchen.</image:caption>
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      <image:title>Other Collaborations Index Gallery</image:title>
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      <image:title>Other Collaborations Index Gallery - Berkeley Art Museum Catalog</image:title>
      <image:caption>Collaboration with Celeste Dupuy-Spencer for a publication initiated by/included in Emily Roysdon’s exhibition at the Berkeley Art Museum.</image:caption>
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  </url>
  <url>
    <loc>http://www.jeanineoleson.com/editions-list</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-04-05</lastmod>
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      <image:title>Editions Index Gallery - Conduct Matters</image:title>
      <image:caption>2020, Letterpress poster, folded, 12 x 18 inches Edition of 50</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1586096166227-EJ5A24HXFM2N21BTWMSS/20200404_163247.jpg</image:loc>
      <image:title>Editions Index Gallery - Conduct Matters</image:title>
      <image:caption>2020, Letterpress poster, folded, 12 x 18 inches Edition of 50</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1469296658900-VR2BDKDZ3X6Q6MP2ZWQ8/17_Sculpture_Center.jpg</image:loc>
      <image:title>Editions Index Gallery - See-ing, Be-ing</image:title>
      <image:caption>2016, 3D sandstone print, 3.5 x 3.5 x 7.5 inches Edition of 5</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1469406814353-CVLR2NKOYEWCXYJQL5A2/hearhere_editions_3x4crop.jpg</image:loc>
      <image:title>Editions Index Gallery - Hear, Here</image:title>
      <image:caption>2014, photo intaglio print, 36 x 7.25 inch accordion print Courtesy of the artist. Printed by Marina Ancona, 10 Grand Press, Brooklyn. Edition of 15; special edition of 3 with clamshell box This print is an accordion print; its dimensionality suggests an expanding and collapsing architecture of image and landscape, as well as a way of thinking interiority and exteriority topologically.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1469296751872-L0SP7H85SVQ2GLPU69VM/01_Editions.jpg</image:loc>
      <image:title>Editions Index Gallery - Cave in/out</image:title>
      <image:caption>2015, archival inkjet print 30 x 40 inches, edition of 5 16 x 20 inches, edition of 15</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1469296483273-B664V9JLGWWVEQ3FDPOV/editions10.jpg</image:loc>
      <image:title>Editions Index Gallery - Untitled</image:title>
      <image:caption>2014, archival inkjet print 30 x 40 inches, edition of 5 16 x 20 inches, edition of 15</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1469296764880-VRIKTAUPHDIFQ3XM93ED/02_Work-in-progress.jpg</image:loc>
      <image:title>Editions Index Gallery - Reflecting real</image:title>
      <image:caption>2016, archival inkjet print 20 x 30 inches, edition of 7 16 x 20 inches, edition of 15</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1465162983738-REWK8IKEILE4Q5OP25SD/mountains01.jpg</image:loc>
      <image:title>Editions Index Gallery - Immountain</image:title>
      <image:caption>2014, clay and glaze, unique objects, 9 x 6 x 2 inches Edition of 20 This small edition is based on a mountain on Svalbard that houses the Global Seed Vault and a global security satellite project. Please let me know if you're interested to purchase one. jolesonbooks [at] gmail.com PDF of the Edition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1470770051017-30BNXHQDYT0Z23JMNGO4/untitled_02_thumbnail.jpg</image:loc>
      <image:title>Editions Index Gallery - Older Editions</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>http://www.jeanineoleson.com/older-editions-gallery</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-08-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1469296698816-WX5BFRV4G46UOZO0HQLD/Oleson_frontpgweb_21.jpg</image:loc>
      <image:title>Older Editions Gallery - The shore is still in the sea</image:title>
      <image:caption>2012 Archival inkjet print 24 x 36 inches, edition of 5 16 x 24 inches, edition of 15</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1469296698816-WX5BFRV4G46UOZO0HQLD/Oleson_frontpgweb_21.jpg</image:loc>
      <image:title>Older Editions Gallery - The shore is still in the sea</image:title>
      <image:caption>2012 Archival inkjet print 24 x 36 inches, edition of 5 16 x 24 inches, edition of 15</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1469296636384-MSBEZP4KF9VFAUXVOS1C/connoisseur.jpg</image:loc>
      <image:title>Older Editions Gallery - Poster for Connoisseur project</image:title>
      <image:caption>Ongoing, printed in 2012 Silkscreen poster Edition of 50</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1469296374624-BD7TJDRUQ4SKUKK9YAK2/Oleson_LUMP_PRINTS.jpg</image:loc>
      <image:title>Older Editions Gallery - Untitled</image:title>
      <image:caption>2008 Archival inkjet print 30 x 40 inches, edition of 5 16 x 20 inches, edition of 15</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1469296190043-0KW60651HEPLYUEUUF58/Oleson_LUMP_PRINTS-3.jpg</image:loc>
      <image:title>Older Editions Gallery - Untitled</image:title>
      <image:caption>2008 Archival inkjet print 30 x 40 inches, edition of 5 16 x 20 inches, edition of 15  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1469296842015-SW1ULXJMPS5M97REDDUO/goldfence.jpg</image:loc>
      <image:title>Older Editions Gallery - Retribution model</image:title>
      <image:caption>2010 Clay, glaze, gold paint Approx. 12 x 12 x 7 inches, edition of 3</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.jeanineoleson.com/news</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-07-23</lastmod>
  </url>
  <url>
    <loc>http://www.jeanineoleson.com/news/2016/7/23/included-in-it-can-howl-at-atlanta-contemporary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-07-23</lastmod>
  </url>
  <url>
    <loc>http://www.jeanineoleson.com/news/2016/7/23/received-rema-hort-mann-artist-community-engagement-grant</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-07-23</lastmod>
  </url>
  <url>
    <loc>http://www.jeanineoleson.com/selected-projects-index-gallery</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-03-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1551552992776-79CSN4X1KG2SE9VH9NJS/cubitt-5.jpg</image:loc>
      <image:title>Selected Projects Index Gallery - LANDED at Cubitt Gallery, London</image:title>
      <image:caption>A two-person show with Danielle Dean showing recent video installations with related objects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1551552992776-79CSN4X1KG2SE9VH9NJS/cubitt-5.jpg</image:loc>
      <image:title>Selected Projects Index Gallery - LANDED at Cubitt Gallery, London</image:title>
      <image:caption>A two-person show with Danielle Dean showing recent video installations with related objects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1501733865691-UI785LQCJR2SJWGZMQ9T/C_C_INSTALL-7.jpg</image:loc>
      <image:title>Selected Projects Index Gallery - Can you feel it? at Commonwealth &amp; Council</image:title>
      <image:caption>An exhibition of recent work that pushes against the membrane between the expressible and the inexpressible—a layer of skin or misunderstanding that keeps one’s interiority from reaching the surface. Oleson looks for ways out: the belly button, the eye, the ear. “Can you feel it?” explores the limits of consciousness within one’s own experience.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/574336ff8a65e2f89075de40/578d5cd04402437e7881b729/5c7ac35ff9619a8f90577de2/1551549322110/</image:loc>
      <image:title>Selected Projects Index Gallery - Blahblahblah</image:title>
      <image:caption>Testing testing</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1469315042068-AUAXLQ3YOAEC2RPM1N2H/10_work_in_progress.jpg</image:loc>
      <image:title>Selected Projects Index Gallery - Conduct Matters at the Hammer Museum</image:title>
      <image:caption>An exhibition and performance related to the conditions of copper usage in late capitalism and the irreconcilable contemporary relationship between bodies, labor, resources, and art.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1469315058694-XCBQG2YCE21OMCV6LGGI/09_figures_of_speech.jpg</image:loc>
      <image:title>Selected Projects Index Gallery - Figures of Speech at SculptureCenter</image:title>
      <image:caption>As part of a group exhibition, The Eccentrics, I made a 3D video, terracotta and copper speaker/mic, and 3D print as well as a performance.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1469315074528-ZNNA3LMAKBILV4VEP2DF/08_destroy_hear_here.jpg</image:loc>
      <image:title>Selected Projects Index Gallery - Destroy Hear, Here at Pierogi Boiler</image:title>
      <image:caption>A re-performance of Hear, Here after 9 months with no preparation to see how memory falls apart and remains.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1469315110831-5DDTA40EH92SZZX1XFTW/06_hear_here.jpg</image:loc>
      <image:title>Selected Projects Index Gallery - Hear, Here at New Museum</image:title>
      <image:caption>A large-scale project that included an exhibition, several public programs and workshops, a publication, and an experimental opera over the course of a four-month residency at the New Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1469315095219-TOCMFCAKCXHHKIH3XIKY/07_actually_blue_is_not_a_warm_color.jpg</image:loc>
      <image:title>Selected Projects Index Gallery - Actually, blue is not a warm color</image:title>
      <image:caption>A video made on Fire Island about mundanity, making things with friends and mourning.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1469315126794-19KKRU9P6MDNNEAMIWTV/05_the_shore_is_still_in_the_sea.jpg</image:loc>
      <image:title>Selected Projects Index Gallery - The shore is still in the sea at C&amp;C</image:title>
      <image:caption>A series of photographs, sculptures, photographic sculptures, cyanotypes and text responding to the ironies of the Global Seed Vault and Arctic landscape.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1469315144099-UU2G0OWC6ER385R4BHGD/04_gnysc.jpg</image:loc>
      <image:title>Selected Projects Index Gallery - The Greater New York Smudge Cleanse</image:title>
      <image:caption>A public smudging of four sites New York City in fall 2008.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1469315161110-H7MPS3HAQ21PCWI2PJPH/03_la_gran_limpia.jpg</image:loc>
      <image:title>Selected Projects Index Gallery - La Gran Limpia with Beta-Local</image:title>
      <image:caption>This series of events was meant to cleanse specific incursions, on real and symbolic levels, into the landscape of Puerto Rico.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1469315176864-E4N7EE3UOMM0J1BP2HG3/02_what.jpg</image:loc>
      <image:title>Selected Projects Index Gallery - What? at X-Initiative and MOMA/PS1</image:title>
      <image:caption>A performance about language, the failure of language, and the cultural divide between nature and civilization through an operatic form.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1469315193682-D2WMDTUQ2Z53XILT28I4/01_retribution.jpg</image:loc>
      <image:title>Selected Projects Index Gallery - Retribution at Socrates Sculpture Park</image:title>
      <image:caption>A physical reconstruction of the fence in the Unicorn Tapestries built to give the impression of flattened perspective in physical space.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.jeanineoleson.com/collaborations-index-gallery</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-07-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1469397539580-MSXFI7NBT5UGBWYQ0YGL/photo_requests_from_solitary.jpg</image:loc>
      <image:title>Collaborations Index Gallery - Photo Requests from Solitary</image:title>
      <image:caption>Photo Requests from Solitary was initiated by Tamms Year Ten (TY10), a grassroots coalition of artists, advocates, family members and men formerly incarcerated in Tamms Correctional Center in southern Illinois.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1469397539580-MSXFI7NBT5UGBWYQ0YGL/photo_requests_from_solitary.jpg</image:loc>
      <image:title>Collaborations Index Gallery - Photo Requests from Solitary</image:title>
      <image:caption>Photo Requests from Solitary was initiated by Tamms Year Ten (TY10), a grassroots coalition of artists, advocates, family members and men formerly incarcerated in Tamms Correctional Center in southern Illinois.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1469397666202-SAHHQ2241FHXPGRABCSD/bigheaded_men.jpg</image:loc>
      <image:title>Collaborations Index Gallery - The Bigheaded Men Approach Womanhouse</image:title>
      <image:caption>Collaboration with Laurie Jo Reynolds A performance on a College Art Association panel about the seminal Womanhouse exhibition. Our characters, two innocuous-looking human puppets, remixed a dialogue based on the texts of Hilton Kramer and Clement Greenberg, bringing the two most unlikely figures to the panel's dialogue.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1469397666806-Y2C2Q2O30D7U5ODX373W/coming_home.jpg</image:loc>
      <image:title>Collaborations Index Gallery - Coming Home</image:title>
      <image:caption>Series of photographs in collaboration with Chicago County Fair/S.O. Work Group. These photographs are meant to show quasi-documents of a sex offender returning home, in a time when the sex offender registry and other civil rights offenses are at odds with the constitutional rights of a citizen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1469397667530-OD95KWVIZQEVHP8S5L4X/palm_springs_swimming_pool.jpg</image:loc>
      <image:title>Collaborations Index Gallery - Palm Springs Swimming Pool</image:title>
      <image:caption>Performance, work-in-progress, experimental opera collaboration with Juliana Snapper. A collaborative, situational performance in a Palm Springs pool where the audience becomes the chorus while learning to perceive the differences in sound both above and below water.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1469397667482-6TMJ6XQ2300D2S17I3VM/off_the_grid.jpg</image:loc>
      <image:title>Collaborations Index Gallery - Off The Grid</image:title>
      <image:caption>In collaboration with Ellen Lesperance A collaborative series of large-format photographs which simultaneously mock and embrace conceptions of the natural world, new age culture, earthworks, feminist performance, and cinematic/photographic conventions around the primordial</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1469397665527-V2NY8S5OQVL2L0PTRXGS/we_like_ny.jpg</image:loc>
      <image:title>Collaborations Index Gallery - We Like New York and New York Likes Us</image:title>
      <image:caption>Collaborative endurance performance with Ellen Lesperance in Art in General's Project Space. In this wry look back at Joseph Beuys' seminal 1974 piece, I Like America and America Likes Me, we re-envisioned what a true contact animal was for the U.S.- a rat. The piece was at street-level and we were confined to the space for 9 hours.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1469398068867-6EFC3FZK28XTAT09LS1J/other_collaborations.jpg</image:loc>
      <image:title>Collaborations Index Gallery - Other Collaborations</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>http://www.jeanineoleson.com/archive-index</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-03-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1469309198090-G5974OHRBC3S2C3RWEA7/01_mend_time.jpg</image:loc>
      <image:title>Archive Index Gallery - (M)end Time at EXIT ART</image:title>
      <image:caption>A series of talks/meetings/workshops that engaged and analyzed the mania surrounding post-apocalyptic anxieties in the collective psyche, but will also function as a series of consultations towards the making of a performance. Part of Collective/Performative show</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1469309198090-G5974OHRBC3S2C3RWEA7/01_mend_time.jpg</image:loc>
      <image:title>Archive Index Gallery - (M)end Time at EXIT ART</image:title>
      <image:caption>A series of talks/meetings/workshops that engaged and analyzed the mania surrounding post-apocalyptic anxieties in the collective psyche, but will also function as a series of consultations towards the making of a performance. Part of Collective/Performative show</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1469301158063-Q5TMSRAYZ4R3HG1HWSZI/11_we_like_ny_placeholder.jpg</image:loc>
      <image:title>Archive Index Gallery</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1469309155744-QAWK8M67AC4HSXGL9A6R/02_omg_oh_magog.jpg</image:loc>
      <image:title>Archive Index Gallery - OMG (Oh, Magog!) at Silvershed</image:title>
      <image:caption>This performance is a way to take up time thinking about The End. The end of time, really.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1469309155483-A9SM7ZV9B7OG4KLY4GL5/03_i_ran_contraband_spirituality+copy.jpg</image:loc>
      <image:title>Archive Index Gallery - I Ran Contraband Spirituality at La Mama</image:title>
      <image:caption>A mash-up spiritual practices featuring Ronald Reagan’s astrological chart and a performance to destroy it with a duet between Donald Regan (former chief of staff) and Joan Quigley (the Reagan’s astrologer).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1469309156747-N5FULVS189S0JFVT5P8I/04_urd_up.jpg</image:loc>
      <image:title>Archive Index Gallery - Urd Up at Lump</image:title>
      <image:caption>A show about deconstructing myths by reconstructing objects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1469309158437-7JH0RLEG7RPJMBHCC8HU/08_building_an_empire.jpg</image:loc>
      <image:title>Archive Index Gallery - Building an empire and other things of no consequence...</image:title>
      <image:caption>Two architectures, a beaver dam and a re-creation of the Ziggurat of Ur, were built to function as both sculptural elements and speakers. Shown at Grand Arts, Kansas City.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1469309158802-KWOZE6N1NAACWKGCZHRY/09_lesbian_singalong.jpg</image:loc>
      <image:title>Archive Index Gallery - Lesbian Sing-along for LTTR</image:title>
      <image:caption>Performance at Glasslands Gallery for LTTR journal release party with Di Otto. I wanted to bring an older, less hip pastime of lesbian gatherings to the contemporary scene, so asked Di Otto to co-host a sing-along with me from a book she'd compiled in the 1970s. We handed out copies and everyone sang.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1469396424298-U3R3DBRR4ZBU2ZWRQ3IA/Videos.jpg</image:loc>
      <image:title>Archive Index Gallery - Video Work</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>http://www.jeanineoleson.com/home</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2017-09-10</lastmod>
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      <image:title>Home</image:title>
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      <image:title>Home</image:title>
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  </url>
  <url>
    <loc>http://www.jeanineoleson.com/writings-index-gallery</loc>
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    <lastmod>2019-03-02</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1551557640341-WHTK6J0US4KYR32N90VQ/Pool11.jpg</image:loc>
      <image:title>Writings Index Gallery - "Dorito Divas: Isaac Pool Interviewed by Jeanine Oleson," January 25th, 2018</image:title>
      <image:caption>Link to Article</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1551557640341-WHTK6J0US4KYR32N90VQ/Pool11.jpg</image:loc>
      <image:title>Writings Index Gallery - "Dorito Divas: Isaac Pool Interviewed by Jeanine Oleson," January 25th, 2018</image:title>
      <image:caption>Link to Article</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1504212806158-7VWXXL3MXFQHVG7UOWUW/bomb-cover.jpg</image:loc>
      <image:title>Writings Index Gallery - Artists On Artists: "Interview with Beatriz Santiago-Muñoz by Jeanine Oleson” BOMB, Ed. 139, Spring 2017, pgs. 154-155</image:title>
      <image:caption>Link to Article</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1504212807307-H9DQ29YV8U7AX1XIOG9Z/public-servants-cover.jpg</image:loc>
      <image:title>Writings Index Gallery - “Photo Requests from Solitary” collaborative writing/materials published in anthology titled Public Servants: Art and the Crisis of the Common Good, MIT Press 2016</image:title>
      <image:caption>Link to Article</image:caption>
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      <image:title>Writings Index Gallery - “Breathe In” published in “Crossing Listening Thresholds,”curated by Regine Basha, What Now? Symposium 2016, Art in General</image:title>
      <image:caption />
    </image:image>
    <image:image>
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      <image:title>Writings Index Gallery - “Hear, Here” published in “Ignorance: Between Knowing and Not Knowing,” ed. Gavin Morrison/Sigrid Sandström, Axl Books, Sweden (Hardcover, 2015) ISBN: 9789186883331</image:title>
      <image:caption>Link to Article</image:caption>
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    <loc>http://www.jeanineoleson.com/publications-index-gallery</loc>
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    <lastmod>2019-03-02</lastmod>
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      <image:title>Publications Index Gallery - Kara Thompson, "Blanket," from Object Lessons series, Bloomsbury Publishing, 2019</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1551553393942-5G61MSNV3WKDY5AVW6QQ/cover.jpg</image:loc>
      <image:title>Publications Index Gallery - Kara Thompson, "Blanket," from Object Lessons series, Bloomsbury Publishing, 2019</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1504215910584-Z3KUFTX4UBX43VEFEM8T/coreana-cover.jpg</image:loc>
      <image:title>Publications Index Gallery - Jieun Seo, curatorial essay, “The Voice,” exhibition catalog, published by the Coreana Museum of Art, published June 2017</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1504728602513-PXFD88BH5UNQH4OS4BN5/hammer-cover-photo.jpg</image:loc>
      <image:title>Publications Index Gallery - Connie Butler, curatorial essay, “Hammer Project: Jeanine Oleson: Conduct Matters,” exhibition brochure, published by the Hammer Museum, May 2017</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1504218482762-K7B8RTXSM9NFA81C6IZC/how-does-it-feel-cover-crop.jpeg</image:loc>
      <image:title>Publications Index Gallery - Mary Ceruti &amp; Ruba Katrib, “How does it feel?: Inquiries into Contemporary Sculpture”, ed. London, UK : Black Dog Publishing ; Long Island City, New York : SculptureCenter, (2016), ISBN: 9781910433683</image:title>
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      <image:title>Publications Index Gallery - Ruba Katrib &amp; Mark Beasley, catalog essays, “The Eccentrics”, exhibition catalog, published by SculptureCenter, 2016, ISBN: 9780997281118</image:title>
      <image:caption />
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      <image:title>Publications Index Gallery - Johanna Burton, curatorial essay, “Hear, Here” publication, The New Museum, Spring 2014</image:title>
      <image:caption />
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    <image:image>
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      <image:title>Publications Index Gallery - Cornelia Butler, catalog essay, “Lygia Clark: The Abandonment of Art”, 1948-1988, ed. Cornelia Butler and Luis Pérez-Oramas, MOMA Publications (Hardcover 2014) ISBN: 9780870708909</image:title>
      <image:caption />
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  <url>
    <loc>http://www.jeanineoleson.com/art-in-america-2009</loc>
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    <lastmod>2016-06-01</lastmod>
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    <loc>http://www.jeanineoleson.com/hear-here-at-new-museum</loc>
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    <priority>0.75</priority>
    <lastmod>2017-01-17</lastmod>
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      <image:title>Hear, Here at New Museum - "Jeanine Oleson: Hear, Here," 2014, exhibition view: New Museum. Photo credit: Jesse Untract-Oakner</image:title>
      <image:caption />
    </image:image>
    <image:image>
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      <image:title>Hear, Here at New Museum - "Jeanine Oleson: Hear, Here," 2014, exhibition view: New Museum. Photo credit: Jesse Untract-Oakner Published/sold by 10 Grand Press (www.10grandpress.com)</image:title>
      <image:caption />
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      <image:title>Hear, Here at New Museum - "Jeanine Oleson: Hear, Here," 2014, exhibition view: New Museum. Photo credit: Jesse Untract-Oakner</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1467852644300-YUSM6JWDSEJBE0L3ZUUU/oleson_hh_install_nm_14.jpg</image:loc>
      <image:title>Hear, Here at New Museum - "Oculight," 2014, exhibition view: New Museum. Photo credit: Jesse Untract-Oakner</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1467852646775-UGWH6I700P026UBQICGL/oleson_hh_install_nm_25.jpg</image:loc>
      <image:title>Hear, Here at New Museum - Mountain/Cave (detail of felt made with Kim Charles Kay), exhibition view: New Museum. Photo credit: Jesse Untract-Oakner</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1467852643407-POXVRBFKORA7EBGJS3HT/oleson_hh_install_nm_11.jpg</image:loc>
      <image:title>Hear, Here at New Museum - "Aurihorn," 2014, exhibition view: New Museum. Photo credit: Jesse Untract-Oakner</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1467852641721-STRWE4XRT1O5PQLGC651/oleson_hh_install_nm_03.jpg</image:loc>
      <image:title>Hear, Here at New Museum - "Aurihorn (detail)," 2014, exhibition view: New Museum. Photo credit: Jesse Untract-Oakner</image:title>
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    <image:image>
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      <image:title>Hear, Here at New Museum - "Aurihorn," 2014, exhibition view: New Museum. Photo credit: Jesse Untract-Oakner</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1467852646563-TR6KEXBLZVR3C40YQYK3/oleson_hh_install_nm_22.jpg</image:loc>
      <image:title>Hear, Here at New Museum - "Aurihorn (vocal insert detail)," 2014, exhibition view: New Museum. Photo credit: Jesse Untract-Oakner</image:title>
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    <image:image>
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      <image:title>Hear, Here at New Museum - Exhibition view: New Museum. Photo credit: Jesse Untract-Oakner</image:title>
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    <image:image>
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      <image:title>Hear, Here at New Museum - Exhibition view: New Museum. Photo credit: Jesse Untract-Oakner</image:title>
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    <image:image>
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      <image:title>Hear, Here at New Museum - Exhibition view: New Museum. Photo credit: Jesse Untract-Oakner</image:title>
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      <image:title>Hear, Here at New Museum - Exhibition view: New Museum. Photo credit: Jesse Untract-Oakner</image:title>
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      <image:title>Hear, Here at New Museum - Exhibition view: New Museum. Photo credit: Jesse Untract-Oakner</image:title>
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    <image:image>
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      <image:title>Hear, Here at New Museum - Resource Center: "Talking Back: Audience in Dialogue," an exhibition I helped conceptualize and research from the New Museum's archive.</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1468880497593-PS91Z5RZVQV16PTQL7EW/hh_install_nm_27.jpg</image:loc>
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      <image:title>Retribution at Socrates Sculpture Park</image:title>
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      <image:title>Retribution at Socrates Sculpture Park</image:title>
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      <image:title>Retribution at Socrates Sculpture Park</image:title>
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      <image:title>Retribution at Socrates Sculpture Park</image:title>
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      <image:title>Retribution at Socrates Sculpture Park</image:title>
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      <image:title>Retribution at Socrates Sculpture Park</image:title>
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      <image:title>Retribution at Socrates Sculpture Park</image:title>
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      <image:title>Retribution at Socrates Sculpture Park</image:title>
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      <image:title>Retribution at Socrates Sculpture Park</image:title>
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      <image:title>Retribution at Socrates Sculpture Park</image:title>
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  <url>
    <loc>http://www.jeanineoleson.com/bighead-2</loc>
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    <lastmod>2016-07-25</lastmod>
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      <image:title>The Bigheaded Men Approach Womanhouse</image:title>
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      <image:title>The Bigheaded Men Approach Womanhouse</image:title>
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      <image:title>Conduct Matters at the Hammer Museum - Installation view</image:title>
      <image:caption>Conduct Matters, Hammer Project, Hammer Museum, Los Angeles. Visible: Conduct Matters, Hammer Project, Hammer Museum, Los Angeles. Visible: Perspectus…a…um, 2017, hand-woven wool with felt pad, 102 × 98 x 3/4 in; Ground, 2017, hand-cast glass, copper wire, HD video (color, sound), and monitor with wall mount, 19 x12 monitor extending about 16 inches out from wall. Photo credit: Robert Weidemeyer</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1496691889253-UP5T1LW2EKEIV6TBE3P0/DSC_8357-small.jpg</image:loc>
      <image:title>Conduct Matters at the Hammer Museum</image:title>
      <image:caption>Conduct Matters, Hammer Project, Hammer Museum, Los Angeles. Visible: Matter-phone, 2016, Terracotta, wood, metal, and copper wire, 25 x 24 x 21 inches, wire variable.; Ground, 2017, hand-cast glass, copper wire, HD video (color, sound), and monitor with wall mount, 19 x12 monitor extending about 16 inches out from wall.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1496691890070-X6SJMSB0UM7ZWTQLBEB6/DSC_8369-small.jpg</image:loc>
      <image:title>Conduct Matters at the Hammer Museum</image:title>
      <image:caption>Conduct Matters, Hammer Project, Hammer Museum, Los Angeles. Visible: Matter-phone, 2016, Terracotta, wood, metal, and copper wire, 25 x 24 x 21 inches, wire variable.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1501712512029-QWCVVSLZUQXBI1RSZE3A/DSC_1341-small.jpg</image:loc>
      <image:title>Conduct Matters at the Hammer Museum</image:title>
      <image:caption>Conduct Matters, Hammer Project, Hammer Museum, Los Angeles. Visible: Matter-phone, 2016, Terracotta, wood, metal, and copper wire, 25 x 24 x 21 inches, wire variable.; Ground, 2017, hand-cast glass, copper wire, HD video (color, sound), and monitor with wall mount, 19 x12 monitor extending about 16 inches out from wall.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1501712516882-O1ZCQN6H1U9UJWY7VY84/DSC_1350-small.jpg</image:loc>
      <image:title>Conduct Matters at the Hammer Museum</image:title>
      <image:caption>Conduct Matters, Hammer Project, Hammer Museum, Los Angeles. Visible: Ground, 2017, hand-cast glass, copper wire, HD video (color, sound), and monitor with wall mount, 19 x12 monitor extending about 16 inches out from wall.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1501712532923-ES0ICR8UW3GDLVVZMSJZ/DSC_1360-small.jpg</image:loc>
      <image:title>Conduct Matters at the Hammer Museum</image:title>
      <image:caption>Conduct Matters, Hammer Project, Hammer Museum, Los Angeles. Visible: Ground, 2017, hand-cast glass, copper wire, HD video (color, sound), and monitor with wall mount, 19 x12 monitor extending about 16 inches out from wall.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1501712526839-W2Z1FL3QMU8K3NGYTT3C/DSC_1355-2-small.jpg</image:loc>
      <image:title>Conduct Matters at the Hammer Museum</image:title>
      <image:caption>Conduct Matters, Hammer Project, Hammer Museum, Los Angeles. Visible: Ground, 2017, hand-cast glass, copper wire, HD video (color, sound), and monitor with wall mount, 19 x12 monitor extending about 16 inches out from wall.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1501712531355-60OJVY51KJ5FVFLIA2P1/DSC_1375-small.jpg</image:loc>
      <image:title>Conduct Matters at the Hammer Museum</image:title>
      <image:caption>Conduct Matters, Hammer Project, Hammer Museum, Los Angeles. Visible: Ground, 2017, hand-cast glass, copper wire, HD video (color, sound), and monitor with wall mount, 19 x12 monitor extending about 16 inches out from wall.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1501712502536-HJW3FE8ZUX3KOHE9EI6T/DSC_1297-2-small.jpg</image:loc>
      <image:title>Conduct Matters at the Hammer Museum - Courtyard lightbox installation</image:title>
      <image:caption>A series of images relating to the exhibition were installed as a visual essay in the Hammer's interior courtyard in 4.5 x 9 foot lightboxes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1501712501501-VLSBQAV6B4W022QSH77M/DSC_1265-small.jpg</image:loc>
      <image:title>Conduct Matters at the Hammer Museum - Courtyard lightbox installation</image:title>
      <image:caption>A series of images relating to the exhibition were installed as a visual essay in the Hammer's interior courtyard in 4.5 x 9 foot lightboxes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1501712494128-51N6NKB5X51PW2SO6C8O/DSC_1259-small.jpg</image:loc>
      <image:title>Conduct Matters at the Hammer Museum - Courtyard lightbox installation</image:title>
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      <image:title>Conduct Matters at the Hammer Museum - Courtyard lightbox installation</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1501712489291-J7RWWXWZLZ3QXVWDLWNJ/DSC_1249-small.jpg</image:loc>
      <image:title>Conduct Matters at the Hammer Museum - Courtyard lightbox installation</image:title>
      <image:caption>A series of images relating to the exhibition were installed as a visual essay in the Hammer's interior courtyard in 4.5 x 9 foot lightboxes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1501712488906-3NTKGAL7YYWSLGKPWLHC/DSC_1246-2-small.jpg</image:loc>
      <image:title>Conduct Matters at the Hammer Museum - Courtyard lightbox installation</image:title>
      <image:caption>A series of images relating to the exhibition were installed as a visual essay in the Hammer's interior courtyard in 4.5 x 9 foot lightboxes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1496691902143-JZZDI7BO807WD8R46H6L/IMG_3753.jpg</image:loc>
      <image:title>Conduct Matters at the Hammer Museum</image:title>
      <image:caption>Jeanine Oleson, Breathe in the World, (or, problems with you, me, we, they, hear and see), 2017. Performance at the Hammer Museum, Los Angeles. May 14, 2017. Photo: John Sisley. Directed by: Jeanine Oleson; Performers: Tim Aaron, Scott Cazan, Rachel Higgins, Sharon Kim &amp; Jeanine Oleson; Sets: Rachel Higgins</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1496691907606-5FKQ85KC6RIOE78GU3ST/IMG_3846.jpg</image:loc>
      <image:title>Conduct Matters at the Hammer Museum</image:title>
      <image:caption>Jeanine Oleson, Breathe in the World, (or, problems with you, me, we, they, hear and see), 2017. Performance at the Hammer Museum, Los Angeles. May 14, 2017. Photo: John Sisley. Directed by: Jeanine Oleson; Performers: Tim Aaron, Scott Cazan, Rachel Higgins, Sharon Kim &amp; Jeanine Oleson; Sets: Rachel Higgins</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1496691919634-FFBDFSB6VT6BUA0Z0VY9/IMG_4011.jpg</image:loc>
      <image:title>Conduct Matters at the Hammer Museum</image:title>
      <image:caption>Jeanine Oleson, Breathe in the World, (or, problems with you, me, we, they, hear and see), 2017. Performance at the Hammer Museum, Los Angeles. May 14, 2017. Photo: John Sisley. Directed by: Jeanine Oleson; Performers: Tim Aaron, Scott Cazan, Rachel Higgins, Sharon Kim &amp; Jeanine Oleson; Sets: Rachel Higgins</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1468877764977-ZMM6P47DIEP048KRZO9P/07_Work-in-progress.jpg</image:loc>
      <image:title>Conduct Matters at the Hammer Museum</image:title>
      <image:caption>Jeanine Oleson, Crossed Wires, 2017, 3-channel video projection (still from 1 channel), 17 mins. Performers: Beth Griffith, Lisa Reynolds, Diwa Tamrong &amp; nyx zierhut; Editor: Anita Chao; Score &amp; mixing: Rainy Orteca; Costumes: Kim Charles Kay; Camera: Elizabeth Harnarine, Leah Moskowitz &amp; Nica Ross; Sound recording: Marina Ancona &amp; James Kienitz Wilkins.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1468878266848-6H8D61E73EB5XW2QU7SU/workinprog02.jpg</image:loc>
      <image:title>Conduct Matters at the Hammer Museum</image:title>
      <image:caption>Jeanine Oleson, Crossed Wires, 2017, 3-channel video projection (still from 1 channel), 17 mins. Performers: Beth Griffith, Lisa Reynolds, Diwa Tamrong &amp; nyx zierhut; Editor: Anita Chao; Score &amp; mixing: Rainy Orteca; Costumes: Kim Charles Kay; Camera: Elizabeth Harnarine, Leah Moskowitz &amp; Nica Ross; Sound recording: Marina Ancona &amp; James Kienitz Wilkins.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1468878300050-AF87NO07UJYT62NBLYCU/workinprog.jpg</image:loc>
      <image:title>Conduct Matters at the Hammer Museum</image:title>
      <image:caption>Jeanine Oleson, Crossed Wires, 2017, 3-channel video projection (still from 1 channel), 17 mins. Performers: Beth Griffith, Lisa Reynolds, Diwa Tamrong &amp; nyx zierhut; Editor: Anita Chao; Score &amp; mixing: Rainy Orteca; Costumes: Kim Charles Kay; Camera: Elizabeth Harnarine, Leah Moskowitz &amp; Nica Ross; Sound recording: Marina Ancona &amp; James Kienitz Wilkins.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1468878268032-TMFE6A3IOZ31GZYXTMN4/workinprog05.jpg</image:loc>
      <image:title>Conduct Matters at the Hammer Museum</image:title>
      <image:caption>Jeanine Oleson, Crossed Wires, 2017, 3-channel video projection (still from 1 channel), 17 mins. Performers: Beth Griffith, Lisa Reynolds, Diwa Tamrong &amp; nyx zierhut; Editor: Anita Chao; Score &amp; mixing: Rainy Orteca; Costumes: Kim Charles Kay; Camera: Elizabeth Harnarine, Leah Moskowitz &amp; Nica Ross; Sound recording: Marina Ancona &amp; James Kienitz Wilkins.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1468878270462-FZWBYE9KGTM4VZCTQKLG/workinprog07.jpg</image:loc>
      <image:title>Conduct Matters at the Hammer Museum</image:title>
      <image:caption>Jeanine Oleson, Crossed Wires, 2017, 3-channel video projection (still from 1 channel), 17 mins. Performers: Beth Griffith, Lisa Reynolds, Diwa Tamrong &amp; nyx zierhut; Editor: Anita Chao; Score &amp; mixing: Rainy Orteca; Costumes: Kim Charles Kay; Camera: Elizabeth Harnarine, Leah Moskowitz &amp; Nica Ross; Sound recording: Marina Ancona &amp; James Kienitz Wilkins.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1468878269804-LGZFHCEJV1YJ7FKE3JUG/workinprog06.jpg</image:loc>
      <image:title>Conduct Matters at the Hammer Museum</image:title>
      <image:caption>Jeanine Oleson, Crossed Wires, 2017, 3-channel video projection (still from 1 channel), 17 mins. Performers: Beth Griffith, Lisa Reynolds, Diwa Tamrong &amp; nyx zierhut; Editor: Anita Chao; Score &amp; mixing: Rainy Orteca; Costumes: Kim Charles Kay; Camera: Elizabeth Harnarine, Leah Moskowitz &amp; Nica Ross; Sound recording: Marina Ancona &amp; James Kienitz Wilkins.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1468877765147-5QX0YV43R2W8X7TUM2EH/02_Work-in-progress.jpg</image:loc>
      <image:title>Conduct Matters at the Hammer Museum - Related project image</image:title>
      <image:caption />
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1468878272021-AKWPN3TWC7NC0N1OFW6E/workinprog08.jpg</image:loc>
      <image:title>Conduct Matters at the Hammer Museum</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.jeanineoleson.com/photo-requests-from-solitary</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-10-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1469316846287-22NNU7VDMIUZUZ2PPM36/image-asset.jpeg</image:loc>
      <image:title>Photo Requests from Solitary</image:title>
      <image:caption>MOM, MONEY AND MANSION—Robert T. Robert, a man with a serious mental illness, sent Tamms Year Ten a photo of his mother, who had died the previous year. Because he had no family and no visitors, he was hopeless and desolate. He asked for an image of “my mother standing in front of a mansion, or Big Castle, with a bunch of money on the ground. OR if you can’t do that, THEN a substitution is a big mansion or castle with a bunch of money in front of it and a black hummer parked in front of it. I truly appreciate this a lot… Now I know somebody out there in the world cares about us in here.” Photo by Jeanine Oleson, 2013.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.jeanineoleson.com/untitled</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-08-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1470767558119-5C2R2LOYT4BVECKYCAUY/image-asset.jpeg</image:loc>
      <image:title>Untitled</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.jeanineoleson.com/other-collaborations</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-08-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1465180101763-2SU6HU981W4776GLHLXX/collabgallery_ridykeulous_zine.jpg</image:loc>
      <image:title>Other Collaborations - Ridykeulous 'zine</image:title>
      <image:caption>An over the top and confrontational collection of artwork for the page, this 'zine offers a raunchy romp through contributions lambasting stereotypical tropes of feminist and lesbian art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1469312747229-F12EWJC65B9DUQG80TO8/bomblog_screengrab.jpg</image:loc>
      <image:title>Other Collaborations - BOMBBlog with Rosanna Bruno</image:title>
      <image:caption>Summer 2011 issue of ONandOnScreen, an e-journal project matching poems and videos. This week features poetry by Rosanna Bruno and Jeanine Oleson and a video of Cagney &amp; Lacey.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1465180106744-1HBXHEJZX46NSMQ202HK/collabgallery_the_kitchen.jpg</image:loc>
      <image:title>Other Collaborations - The Kitchen</image:title>
      <image:caption>A performance with Becca Albee and Tami Hart in Emily Roysdon's project (A Gay Bar Called Everywhere (With Costumes and No Practice)) at The Kitchen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1465180067480-0BP83E82UL5TB5QLECJ4/collabgallery_berkeley_art_museum_catalog.jpg</image:loc>
      <image:title>Other Collaborations - Berkeley Art Museum Catalog</image:title>
      <image:caption>Collaboration with Celeste Dupuy-Spencer for a publication initiated by/included in Emily Roysdon’s exhibition at the Berkeley Art Museum.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.jeanineoleson.com/art-papers-16</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-09-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1505080089279-QVQRAJUF8LNOWDQ89K21/2.jpg</image:loc>
      <image:title>Art Papers 16</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1505080078818-X09XR6CV8R7AGO17V04T/image-asset.jpeg</image:loc>
      <image:title>Art Papers 16</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.jeanineoleson.com/can-you-feel-it-at-commonwealth-council</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-11-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1501734620740-9EH8B0NILN6EFCMMYGC4/C_C_INSTALL-3.jpg</image:loc>
      <image:title>Can you feel it? at Commonwealth &amp; Council - Installation</image:title>
      <image:caption>xallarap, 2017, plaster and acrylic paint 18 x 12 x 4 inches; stage built by Rachel Higgins for Breathe in the World (or problems with you, me, we, they, hear and see) Figures of Speech, 2016, 3D video, 8:33 Director: Jeanine Oleson; Performers: Beth Griffith, Lisa Reynolds, Diwa Tamrong and nyx zierhut; Camera: Jeanine Oleson, Nica Ross; Sound: Marina Ancona, Mike Crane; Editor: Anita Chao; Audio mix: Rainy Orteca; 3D post: Nica Ross Photo: Ruben Diaz</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1501734622352-M36K3I5QHAGYOK1IBHET/C_C_INSTALL-4.jpg</image:loc>
      <image:title>Can you feel it? at Commonwealth &amp; Council - Installation</image:title>
      <image:caption>18 x 12 x 4 inches; stage built by Rachel Higgins for Breathe in the World (or problems with you, me, we, they, hear and see) Figures of Speech, 2016, 3D video, 8:33 Director: Jeanine Oleson; Performers: Beth Griffith, Lisa Reynolds, Diwa Tamrong and nyx zierhut; Camera: Jeanine Oleson, Nica Ross; Sound: Marina Ancona, Mike Crane; Editor: Anita Chao; Audio mix: Rainy Orteca; 3D post: Nica Ross Photo: Ruben Diaz</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1501734623010-C7641U5XZACEYQOEB0Z1/C_C_INSTALL-5.jpg</image:loc>
      <image:title>Can you feel it? at Commonwealth &amp; Council - Installation</image:title>
      <image:caption>18 x 12 x 4 inches; stage built by Rachel Higgins for Breathe in the World (or problems with you, me, we, they, hear and see) Figures of Speech, 2016, 3D video, 8:33 Director: Jeanine Oleson; Performers: Beth Griffith, Lisa Reynolds, Diwa Tamrong and nyx zierhut; Camera: Jeanine Oleson, Nica Ross; Sound: Marina Ancona, Mike Crane; Editor: Anita Chao; Audio mix: Rainy Orteca; 3D post: Nica Ross Photo: Ruben Diaz</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1501734620543-NIQ8QZEY09FTA6HLAUDP/C_C_INSTALL-2.jpg</image:loc>
      <image:title>Can you feel it? at Commonwealth &amp; Council - Installation</image:title>
      <image:caption>xallarap, 2017, plaster and acrylic paint 18 x 12 x 4 inches; stage built by Rachel Higgins for Breathe in the World (or problems with you, me, we, they, hear and see)  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1501734624439-L1UDQGOZ9L5P255E7O5Z/C_C_INSTALL-7.jpg</image:loc>
      <image:title>Can you feel it? at Commonwealth &amp; Council - xallarap, 2017</image:title>
      <image:caption>Plaster and acrylic paint 18 x 12 x 4 inches Photo: Ruben Diaz</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1501734623908-CL4ZW1MKNBW2BLKT3J0A/C_C_INSTALL-6.jpg</image:loc>
      <image:title>Can you feel it? at Commonwealth &amp; Council - xallarap, 2017</image:title>
      <image:caption>Plaster and acrylic paint 18 x 12 x 4 inches Photo: Ruben Diaz</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1501734630709-B2R72D2NRN04C8TXE94E/C_C_INSTALL.jpg</image:loc>
      <image:title>Can you feel it? at Commonwealth &amp; Council - Installation</image:title>
      <image:caption>See-ing, Be-ing, 2016, 3D sandstone print, 3.5 x 3.5 x 7.5 inches 18 x 12 x 4 inches; stage built by Rachel Higgins for Breathe in the World (or problems with you, me, we, they, hear and see)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1501734624981-DOR67VCCWIL1WDT1J6DL/C_C_INSTALL-8.jpg</image:loc>
      <image:title>Can you feel it? at Commonwealth &amp; Council - See-ing, Be-ing, 2016</image:title>
      <image:caption>3D sandstone print 3.5 x 3.5 x 7.5 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/574336ff8a65e2f89075de40/1501734625886-E0XI09FZEA51FVP7T3DT/C_C_INSTALL-9.jpg</image:loc>
      <image:title>Can you feel it? at Commonwealth &amp; Council</image:title>
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